Beethoven’s Third Period

“Beethoven’s Third Period” is the result of a residency by Quartetto Noûs, as part of Orsolina28’s program Cherry Notes Series.

The evening is devoted to Beethoven’ final six string quartets (Opp. 127, 130, 131, 132, 133, 135), a series of works composed between 1824 and 1926 that mark a profound turning point in music history. Conceived almost as a unified cycle, they share rhythmic figures, thematic elements and a highly innovative architecture that transcends classical sonata form.

Belonging to Beethoven’s so-called late style, these works reflect a period of radical experimentation, in which he redefined his musical language and opened new expressive horizons. Their audacity and complexity were initially misunderstood: for instance, the Große Fuge Op. 133, originally intended as the finale of Op. 130, was rarely performed in the 19th century and was only later recognized as a masterpiece.

Similarly, the String Quartet No. 12 in E-flat major, Op. 127, commissioned by Prince Nikolai Galitzin, balances tradition and innovation. Its central Adagio, a theme and variations, unfolds with remarkable expressive depth, moving between introspection, drama, and lightness.

With the String Quartet No. 16 in F major, Op. 135, Beethoven’s final quartet, the musical language becomes more concise and transparent. The famous final movement, marked by the question “Muss es sein?” (“Must it be?”) and the answer “Es muss sein!” (“It must be!”), carries a philosophical resonance, often interpreted as a reflection on fate and acceptance.

In line with our values of inclusion and accessibility, all of our presentations are open to the community at no cost (reservations are required and all donations are welcomed).

Saturday, May 9, 2026 - 7:30 p.m.

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Artists

• Violin: Sofia Manvati
• Violin: Alberto Franchin
• Viola: Sara Dambruoso
• Cello: Riccardo Baldizzi