Students from the G. Cantelli Conservatory of Novara bring to the stage “From counterpoint to romantic and modern aesthetics” a reflection on different compositional styles and eras. The Baroque and neo-Baroque counterpoint of Domenico Scarlatti, John Dowland and Alexandre Tansman is opposed to the modern and contemporary aesthetics of Darius Milhaud and Italian Stefano Casarini, with the mediation of the virtuosic-romantic vein of Giulio Regondi.
Meanwhile, the G. Verdi Conservatory of Turin dedicates the evening, “Tadd Dameron Meets John Coltrane”, to be-bop composer and arranger Tadd Cameron and his association with John Coltrane, with songs from their regular repertoire.
The Conservatories in Piedmont project is an initiative of the Cultural Association Toret Artist Three Six Zero: its mission is to build a network of musical activities that supports and encourages young musicians to express their talent in public, supporting them in the transition from school to their professional life.
Artists
Selected students from the G. Cantelli Conservatory of Novara and the G. Verdi Conservatory of Turin.
Program
From counterpoint to romantic and modern aesthetics (G. Cantelli Conservatory of Novara):
- Domenico Scarlatti (1685-1757): Sonata K1
- Alexandre Tansman (1897-1986): Passacaille
- Giulio Regondi (1822-1872): Introduction and Capriccio op.23
- Stefano Casarini (1954): Etudes from Concerto No. 1 and No. 6
Tadd Dameron Meets John Coltrane (G. Verdi Conservatory of Turin):
- John Dowland (1563-1626): Fantasia P5
- Darius Milhaud (!892-1974): Segoviana op.366
August 24, 2024 - h 20:00
The Eye
We have chosen to offer the performances for free (reservation required), in line with our values of inclusion and accessibility to culture. We are grateful to those who choose to make a voluntary contribution to support the Foundation's mission.
